It felt very corporate to me and I didn’t like the music they were pushing out into the world. I interned at some record companies and I hated it. There are two different sides to the school—the producing and engineering side and the music management side—and I took the management side and learned a lot about the industry, marketing and publishing. I was always kind of star-struck with the behind-the-scenes of the music industry and in high school thought, “I want to be an A&R person that scouts bands.” I’m from Hamilton, Ont., so I moved to Toronto and went to the Harris Institute, which is a recording arts school. I listened to music growing up and I was in bands and I was obsessed with movies and TV and music. I’ve been at Arpix for almost 15 years, which is crazy. We spoke to the head of music supervision at Arpix Media about her career working with on-staff composers who create original music and hunting down the perfect song for a scene.Īndrea Higgins: It’s been a journey. Andrea Higgins has been accenting Canadian TV moments in current shows like Wynonna Earp, Heartland, Killjoys, X Company and Murdoch Mysteries, and past programs in The Listener, Bomb Girls, Flashpoint and Durham County, finding the perfect tune to amp up the feels in your favourite programs. Dramatic scenes have them, they’re a montage staple, and help launch an episode through the all-important opening theme. ![]() ![]() Music is a huge part of a television show.
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